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February 13, 2005
Vegas4Visitors Weekly

by Rick Garman

 
  • Elton John in The Red Piano
  • Project City Center Update
  • Changes at La Femme
  • Stratosphere Suicide
  • Lady Luck Closes
  • Q&A: The Deuce?

  • Did I Say $6 Billion?
    Remember that story I did just last week about how
    Project CityCenter, the massive new development from MGM Mirage going in between Monte Carlo and Bellagio, had gotten bigger and was going to now cost $6 billion, up from the original $4 billion they said it would cost? Yeah, scratch that. Apparently now it’s $7 billion. Why the bigger price tag? Well, part if it is the addition of more condo/hotel units (over 6,000 hotel and condos total), the addition of a property-wide monorail system, and a general desire to make the place more luxurious then they had originally envisioned. This, combined with rising construction costs in the area, have resulted in the shocking new total. Construction will begin in earnest this summer and they have set an opening date for phase one in November of 2009.

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    Changes at La Femme
    After more than 50 years of ownership by the family of the founder, the erotic review
    La Femme, and it’s famed parent show Crazy Horse in Paris (the real one, not the one in Vegas), have new masters. A pair of Belgian businessmen are leading a group of investors on an ambitious plan to extend the brand around the world, including a new revue in Singapore and an international touring troupe.

    La Femme is unlike most other topless shows in that it is short on pageantry and long on artistry. Changes are expected, including putting revival of two numbers that audiences apparently missed when they were cut and some revamping of other routines.

    La Femme plays at the MGM Grand nightly except Tuesday at 8 and 10:30pm. Call 800-929-1111 for tickets.

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    Stratosphere Suicide
    A 27-year old man from Bristol, England climbed two security fences and threw himself off the top of the
    Stratosphere Tower on Saturday, February 3. Authorities have ruled the death of Neil Greg Roberts as a suicide. Sadly this is not the first time that people have chosen this dramatic way out as an exit. Despite alarms, fences, and security personnel three other people have leapt to their deaths from the top of the more than 1,000-foot tall tower.

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    Lady Luck Closes
    A downtown staple for more than 40 years has closed its doors, at least temporarily. The Lady Luck hotel and casino was shuttered on Saturday, February 11 in anticipation of an extreme makeover. The company that runs the joint still isn’t saying what they intend to do with the place but rumors seem to indicate that it will not be as radical as tearing it down and starting over but will be more than just a new coat of paint. Expect major overhauls from the ground up with a new casino, new restaurants, new rooms, and more. There is also no firm opening date but early 2007 is likely.

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    Feature of the Week

     
    Elton John in The Red Piano
    Elton John

    So I leaned over to the very nice women from Nebraska sitting next to me and I said, “How many chances are you going to get to dance on stage with Elton John?”

    Maybe I should back up a little.

    Elton John has been a fixture on the world music scene for more than 30 years, as a flamboyant rock icon in the ‘70s, a pop god in the ‘80s, a light-rock and Disney musical staple of the ‘90s, and now affirmed legend no matter what classification you try to put him in.

    He has been performing about 75 shows a year at Caesars Palace for awhile now but my schedule has never worked out to be able to catch him when he was in town. This time the stars aligned and I finally had a chance to see his critically acclaimed “Red Piano,” as perfect a concert as you can ever hope for, somehow both intimate cabaret and outrageous stage spectacle all at the same time.

    The stage on which he performs, inside the Colosseum at Caesars, is a massive affair, usually home to Celine Dion’s bigger than life extravaganza. For Elton’s show, they bring in saucy neon lights and giant inflatable set pieces to jazz things up a bit (or a lot) but it’s all about the star, sitting behind his red grand piano, banging out the tunes that were part of the soundtrack of the last three decades.

    Pick a greatest hit and Elton will probably sing it. “Benny and the Jets,” “Philadelphia Freedom,” “Believe,” “Daniel,” Rocket Man,” I Guess That’s Why the Call it the Blues,” “Sorry Seems to Be the Hardest Word,” “Tiny Dancer,” Don’t Let the Sun Go Down On Me,” “Candle in the Wind,” “Pinball Wizard,” “The Bitch is Back,” “I’m Still Standing,” “Saturday Nights Alright,” and “Your Song” was on the play list on the evening I attended and if that isn’t a CD worthy compilation of classic music I don’t know what is.

    He sounds terrific, full of growling vim and vigor, and if at nearly 60 years of age he doesn’t even bother to hit those falsetto high notes anymore (“Daniel you’re a star…”) it’s impossible to find anything to complain about. When the lights come down and he sings “Sorry Seems to Be the Hardest Word” in a touching tribute to the late, great Ray Charles it’s like you are in an audience of 20 at a small club. And when he fires up the gigantic inflatable breasts while showing a video of Pamela Anderson grinding on a stripper pole during “The Bitch is Back” it’s 4,000 people partying the way that partying was meant to be.

    I understand why NBC balked at showing the Pamela video during the recent televised version of this concert, but it and the other photos, short films, and graphics broadcast on the gigantic LED screen behind the stage provide evocative touchstones to the music. “Daniel” features a film by David LaChappele that finally explains what that particular song is about (think Vietnam), “Rocket Man” has a segment with Justin Timberlake playing a young Elton, and “Don’t Let the Sun Go Down on Me” has a dramatic pas de deux that speaks more elegantly to the cycle of domestic violence than any Lifetime movie ever could.

    There isn’t a bad seat in the house except, oddly, the very front rows. If you decide to go whole hog for the $250 a pop tickets up front try to get seats house left because if you’re house right or third row center (as I was) you’re going to be staring at the piano mostly or, as in my case, the top half of his head over the top of said piano.

    The good news is if you’re sitting in one of those front three rows, you’ll be allowed to run up on stage during “Saturday Night’s Alright” near the end of the show and dance around the big red piano as Elton sings. When people rushed up I, and the nice women from Nebraska, sat there for a minute not seeing the opportunity that laid before us, or perhaps too inhibited to do it. That’s when I leaned over and said what I said and the next thing I knew I was tripping as I went up the stairs in front of 4,000 people. Oh well. My stage dancing days are way behind me.

    But I still got to dance on stage with Elton John so there, nyah.

    Even if you don’t make it up to the piano for a brief boogie, you owe it to yourself to catch this show on your next trip to Las Vegas. It’s an unparalleled journey through modern American music with one of the most entertaining hosts around.

    Vegas4Visitors Grade: A+

    Elton John Caesars Palace 3570 Las Vegas Boulevard South 888-4ELTONJ (435-8665) Website Tickets: $100-250 Showtimes: 7:30pm (check website for schedule)

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    Question of the Week

     
    From: Lucy in Boise, Idaho

    Question: I’ve heard they’ve got new double-decker buses on The Strip. Do you have any more information?

    Answer:

    Absolutely, Lucy. Thank you for the question.

    The buses you refer to are called “The Deuce,” and unlike the traditional London red buses, these are modern, totally enclosed, and fully air-conditioned units that can hold up to 97 people. There are about 40 of them running from Downtown Las Vegas all the way to a transportation center south of the airport, with The Strip as their primary stomping ground. There’s a secondary route that runs from Downtown to the airport via Paradise Road (with stops at the Convention Center and the Hard Rock along the way).

    They stop in front of virtually every major resort and in theory you should never need to wait more than 10 minutes for the next one to come along, although I haven’t tested that particular theory yet so don’t blame me if it’s longer.

    In addition to being a convenience, they’re a terrific bargain to boot. A one-way trip costs $2 and you can get a 24 hour pass for only $5 that allows you to get on and off as many times as you like. Tickets are available for purchase on the buses, online, and at ticket vending machines located at select stops on the Strip.

    Although perhaps not as sexy as the monorail, The Deuce buses certainly provide a much less limited set of touring options and are a significantly better bargain. I’ve blasted the local bus system often and loudly, but I have to give them credit for this brilliant and apparently effective move. Nice work!

    By the way, speaking of the monorail… this competition couldn’t be good for the beleaguered system. They recently announced their January numbers and had the lowest amount of riders in one month since the trains started running with only 18,000 hopping on board. Things have gotten so bad that the monorail’s bond rating has sunk to “junk” status and it has probably scuttled any attempt to extend the line to the airport or Downtown Las Vegas.

    But back to the Deuce… you can get more information including routes, fares, and photos of the distinctive buses so you know what to look for on the official website at www.thedeucelasvegas.com.

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