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Las Vegas News of the Week

 
January 21, 2008
Vegas4Visitors Weekly

by Rick Garman

Cher To Join Bette and Elton?
The press release that was forwarded to me from a friend was a fairly innocuous one. It was about the design company that has been hired to renovate the stage at The Colosseum at
Caesars Palace for the upcoming Bette Midler show.

But buried in the release was this sentence:

“The 2008 music season kicks off February 20th with Bette Midler’s ‘The Showgirl Must Go On’ and will be followed by legendary hit maker Cher and Caesars Palace alum, Elton John.”

Really? Cher? Really? Because as far as I have been able to figure out, that may be news to pretty much everyone involved including Cher.

When it was announced that Celine Dion’s show at Caesars was going to close in late 2007, lots of rumors were bandied about over who would replace her. Bette Midler was one of the rumors and that turned out to be true. Cher was another, but according to several published reports, negotiations never came to fruition between the singer and the hotel. Everything that I heard said the deal was dead.

Then, late last year the rumors started up again and I heard whispers that Cher and Caesars were back at the bargaining table, but nothing has been formally announced.

Does the design company know something we don’t? Stay tuned.

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Cher's New Home?
Money Woes Threaten Casino
The Cosmopolitan is in a bit of a pinch in more ways than one.

The $3 billion hotel, condo, and casino is being constructed on a relatively tiny chunk of land in between The Bellagio and the upcoming CityCenter, wrapped around the Jockey Club time shares. But it’s a financial pinch that is squeezing things as the people behind the project are scrambling to find additional financing after reportedly defaulting on a construction loan.

The banks and construction company at the center of all of this have struck an agreement to keep the cranes and crews working.

Presuming everything gets sorted out – certainly not a sure thing in this unstable economy – guests will be able to check into the new resort in late 2009. When complete it will feature more than 3,000 hotel and condominium units and a 75,000 square-foot casino.

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Greek Isles To Cruise Away
The Greek Isles, a small hotel-casino located just off The Strip near the Las Vegas Convention Center, will close later this year and be demolished to make way for a new hotel-casino according to the property’s owner.

Most of you have probably never visited The Greek Isles and to be honest you haven’t been missing a lot. Its primary claim to fame these days is when my mother does karaoke there. She’s very good.

The owner of the property intends to shutter it later this year, implode it, and then build two new hotel towers with nearly 800 rooms on top of a 77,000 square-foot casino and convention space. This of course is contingent on finding financing, a feat that has killed more than one project previously planned for this particular plot of land.

The hotel has gone through a variety of incarnations. According to the University of Nevada casino timeline, it opened in 1970 as the Paddlewheel at a time when the area was booming. The International (now the Las Vegas Hilton) had just opened its doors about a block away as had the towering Landmark right across the street.

In the 1990s it was purchased by entertainer Debbie Reynolds and rebranded with her name above the front door. In 1998 it was owned briefly by the World Wrestling Federation who announced plans to build a WWF branded property complete with a massive arena for matches.

That never happened obviously and the hotel was sold and renamed the Convention Center Drive Hotel for a short time until it became The Greek Isles. The current owner bought the property last year for nearly $50 million.

The area is undergoing another renaissance, with a Renaissance branded hotel doing good business about a block away and a 3,000 room Marriott hotel planned for the land between The Greek Isles and the Convention Center where the Marriott Suites and the former Beach nightclub currently stand.

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Palazzo Update
I know I said I’d be going to get a look at the
Palazzo this weekend during their big grand opening celebration but I came down with a terrible case of the flu this week and had to cancel my visit.

I’m working on setting up a formal tour/visit for February and will be bringing you my opinion of the new resort as soon as I can.

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Feature of the Week

 
Restaurant Review: Company American Bistro
 

Company American Bistro at Luxor has the kind of pedigree that usually makes me itch. Backed by celebrities Nicky Hilton, Wilmer Valderama, and Nick Lachey it sounded, on paper at least, as one of those exercises in famous-people ego designed more for making an appearance than making dinner reservations.

Much to my surprise and delight, however, Company goes way beyond the typical shallow pretensions of fame and offers up a delightful menu of twisted American classics in a beautiful atmosphere.

Let’s talk about the room first. The concept is a modern take on an Alpine ski lodge, although to be honest you kind of have to be looking for it to recognize the subtleties of the design. There are aspen trees and a fireplace and plenty of warm woods and leather, but it’s the cool touches like the modern overhead lighting that evokes the classic antler chandeliers with shadows that really make this place fun to look at.

There are plenty of comfy booths and tables in the dining area plus a small cocktail lounge (with a real antler chandelier) out front if you’re just in the mood for a drink.

The executive chef, Adam Sobel, has an impressive background, having come from Guy Savoy at Caesars Palace, widely considered to be one of the finest of fine dining experiences in town (with the $400 dinner checks to prove it). What Sobel has done here is take classic American food and spun it up with modern touches and flairs. It’s like hip comfort food and it is unique on The Strip.

Need proof? When was the last time you saw matzoh ball soup on the appetizers section of a relatively fancy Vegas restaurant? That item is offered up alongside selections like tuna tartar with pineapple, wild mushroom ravioli in a porcini brown butter, salads, shellfish, and other raw fish and beef temptations.

Over in the entrée part of the menu you’ll find the usual steaks and seafood offerings but they are mixed with fun options like pork schnitzel, roasted monkfish, and fried chicken and waffles.

Even the sides get creative with things like a potato pancake with a quail egg, macaroni casserole, cheesy southern grits, falafel, or tater tots competing for space next to the more traditional potatoes and veggies. They even spice up their brussel sprouts with Fuji apple and bacon.

At our table we ordered up a pretty wide variety on the entrée front. One went for the scallops served in a shallow tureen of New England Clam Chowder. It was an unusual presentation but a successful one with both the scallops and chowder coming off as fresh as fish based meals can get in this arid desert.

Another person went for the traditional schnitzel, although cholesterol issues kept the fried egg in the kitchen. It was a huge piece of pork, pounded and breaded with a brown butter sauce and it was fantastic – almost tart but juicy – the clear winner at our table that night.

I was tempted by the down-home comforts of the chicken and waffles entrée but wound up chickening out (pun intended) because I’m a messy eater and I was wearing a nice jacket that was going to have to last me through a show and several nightclub reviews that night. So instead and I went with a prime beef tenderloin and then kicked myself later. There was nothing wrong with the steak – it was quite good in fact; thick, perfectly prepared, and juicy – but it wasn’t as special or unique as what I could have gotten and I only have myself and my vanity to blame.

The dessert menu was another twisted delight, with unusual twists on more classic Americana. There’s a traditional banana split, “All American” apple pie, cheese cake, key lime pie, and more. We went for two of their specialties – the warm chocolate cake explosion, which lived up to its name as a deconstructed pile of cake, caramel ice cream, and roasted marshmallow; and the mini cinnamon buns, a collection of warm, flaky pastries covered in gooey icing. Both were polished off quickly.

The service throughout the meal was fantastic although it did seem to take a little long to get our main courses. This may have been an illusion since we skipped appetizers due to a heavy lunch, but even if it was reality it was a minor quibble.

Prices are definitely on the high side of things with appetizers anywhere from $14-24 (and more for the shellfish), entrees $22 (for a burger) all the way up to $65 (for lobster) but most around $40, sides all $12, and desserts $10-13. Our check for three with drinks, entrees, dessert, tax, and tip was well over $200. I don’t usually like to pay that much for dinner but this is one of a very select group of experiences where I felt like it was worth it.

Company American Bistro is a terrific new addition to the city’s dining scene, so much so that I picked it as one of my Top 10 Best Restaurants in Las Vegas for 2007.

Luxor
3900 Las Vegas Blvd. S.
702-262-4852
website

Hours:

  • Tues-Sat 5:30-late

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  • Feature of the Week

     
    Nightclub Reviews
     

    I recently went on a Vegas nightclub crawl – almost literally since it was so cold that it nearly drove me to my knees as I dashed from place to place. Of the six clubs that I hit that night I’m bringing you reviews of two of them this week with more to follow in upcoming columns:

    Tryst at Wynn Las Vegas
    First the back-story on this club, which is fascinating. When Wynn Las Vegas opened, their entry into the crowded nightclub scene was called La Bete, a dark and ominous space that lived up to its name (French for The Beast). It didn’t do very well and within a year it was shuttered and overhauled into Tryst, a lighter, brighter affair aimed at a well-heeled clientele.

    I visited Tryst right after it opened and walked away unimpressed. I encountered lots of problems with the staff and the overall organization seemed to be lacking, to say the least. But I figured it was birthing pangs and decided I’d get back at some point to see if they had worked out the kinks.

    It took me awhile but I’m happy to say that I finally returned and not only have they gotten their act together, they have turned Tryst into one of the most entertaining and appealing nightclubs in town.

    The main room is all on one level, a half-circle with bars and booths at the back, more booths and VIP areas in the middle, and then a dance floor at the hub all facing a wall of windows that reveals an outdoor patio and a giant waterfall. As focal points go, you’d have a hard time topping a waterfall.

    Outside are more tables and private cabanas, bars, and an al fresco dance floor that surround pools of water.

    The whole place is gorgeous, as are most of the people who are partying there. Although undeniably young, the crowd here at Tryst and at Wynn Las Vegas in general, is perhaps a couple of years less young and had the appearance at least of being more dignified. This doesn’t mean they weren’t loud, screaming, dancing, and drinking themselves into oblivion, but of all the big nightclubs I went to that night, this is the one that I saw the fewest people getting kicked out of or passed out in the corner.

    Cover and drink prices are outrageous of course, but no more so than anywhere else in town. The staff – the bane of my previous visit – was unfailingly polite and not just to me because I was there to review the club. I witnessed one party girl climb up on a leather banquette in her high heels to do a drunken dance. While this would’ve gotten her a lot of trouble in some other clubs I’ve been to, the security guard at Tryst just walked up to her, pointed at her with a meaty finger, and then pointed at the floor. She got down quickly.

    LAX at Luxor
    The latest “big deal” in nightclubs became a “big deal” before it opened mainly because of the people who have financial interests in it – names like Christina Aguilera and DJ AM. But the creation of a new nightclub and the zeitgeist that surrounds it goes way beyond the backers. I don’t care how many celebrities write checks – a club, to be successful, has to have its own personality and it better be a cool one.

    LAX at Luxor is definitely cool. First of all, it’s dark – everywhere. Even the vinyl-booth style padded entry way is so dark that security guards have to shine lights on the stairs so you don’t tumble your way to a lawsuit. But it sets up an appropriately moody vibe that explodes when you walk into the main room.

    The cavernous space flows both down and up, with a staircase leading down to a high-energy dance floor covered by the latest in high-tech lighting and sound, and another staircase leading up to cozy, cavy-like VIP lounges that look over the teaming masses below. Bars are scattered about everywhere and there are more VIP seating areas here and there but precious little room for the non-VIPs to do anything other than stand or dance.

    The crowd was very young – at 41, I was the oldest there by a solid 15 years and even that 26 year-old probably felt out of place. But hey, that’s what you get when you come to a club like that so either accept it or go find yourself a nice bingo hall somewhere.

    The energy was undeniable, with the packed house providing an almost constant feeling of motion even from the people who were just standing in line for a drink. Forget personal space and be on the lookout for the over-imbibers who were legion.

    Again, cover and drink prices are typically high. I only had a limited interaction with the staff but they seemed to be on their game and not too overly intimidating.

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