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Las Vegas News of the Week

 
March 3, 2008
Vegas4Visitors Weekly

by Rick Garman


Sahara Plan Approved
The Clark County Commissioners have approved the overall master plan for a massive overhaul of
The Sahara.

Included on the docket will be a new 50 story hotel tower with 1,000 rooms, a complete remodeling of two of the older towers, and demolition of a third.

The casino will be completely redone and expanded to about 90,000 square-feet and there will be new restaurants, nightclubs, entertainment venues, and a spa and fitness center. How much all of this is going to cost wasn’t revealed but figure the number will have three commas in it.

The remodel is being driven by new owners who have been hot on the Los Angeles nightclub scene for years. Expect the overall aesthetic to be aiming for the Palms and Hard Rock markets.

The extreme makeover will open in phases with construction starting later this year and completion expected by 2011.

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IRS Raids Vegas Clubs
Fueled by rumors that Las Vegas nightclub doormen were shaking down customers for as much as $1,000 to get inside, the IRS raided two popular Sin City nightclubs recently –
Pure at Caesars Palace and LAX at Luxor. The feds are keeping typically tight-lipped about what they were looking for and what they may have found, but word on the streets say that any business like these that are almost exclusively cash operations are just begging to get some attention from Uncle Sam. A successful club could be generating hundreds of thousands of dollars a night in revenue, tips, and cover charges and the vast majority of it is in cash.

The nightclubs were back up and open for business immediately but it sent shivers through the Vegas nightclub scene, at least for those who run them. It could wind up being a boon for those who want to go there since the staff may have to be a bit more careful about how much money they are asking for to let you beyond the ropeline.

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Las Vegas News Bites
You talkin’ to me? Robert DeNiro will be in town this week to officially open AGO, a new restaurant at the
Hard Rock that is a partnership between the actor and chef Agostino Sciandri. An LA branch of the eatery has been doing bang-up business for the last decade and is prepping to open in New York City next month.

Singer and comedian Wayne Brady has made his love affair with Vegas much more permanent. After headlining a series of shows at The Venetian, Brady has signed on to do as many as 300 shows between now and summer 2009. Call 866-641-7469 or visit the Venetian website for more details. I’ll be doing a review of the show soon.

Two big health scares have the city buzzing. The first came out of a medical clinic that had to notify more than 40,000 people that they may have been exposed to hepatitis or worse after employees were allegedly reusing needles and drug bottles. Then the deadly poison Ricin was found in an extended stay motel off The Strip and the man that was staying there is in the hospital. Investigators are still trying to figure out what the guy was doing with the poison but don’t think it had anything to do with terrorism.

But back to more comforting news… Downtown Las Vegas has posted its first revenue gain in more than three years, led by the big remodels at The Golden Nugget, Four Queens, and El Cortez. The area reported nearly $633 million in gaming win for 2007, up only $3 million over last year but up is up, people.

And finally, if you head out to the Red Rock National Conservancy Area in 2010, you’ll be able to stop at a new visitors’ center on your way into the park. The $23 million facility broke ground last week and should be ready for visitors in about two years.

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Feature of the Week

 
Hotel Review: The Palazzo
 

The opening of a new billion dollar hotel in Vegas is usually a splashy affair, done with the attendant spectacle that price tags like those can afford. But Palazzo seems to have almost snuck onto the scene and now takes up residence on The Strip in a quietly dignified way that is both a refreshing change and a bit of a letdown (but only a bit).

Located next door to sister hotel Venetian, The Palazzo is an extension of that property in many ways. The two hotels are connected via a restaurant lined walkway, they share many behind-the-scenes facilities, and the rooms in the new tower are virtual carbon copies of those in the original hotel. But it is there that the similarities end. The decadent Italian theme stops the second you step across the border to be replaced by the kind of quiet luxury that satisfies but doesn't necessarily excite.

I'm going to start the meat of this review in an unusual and completely unexciting place - the parking garage. I only bring this up because it is an unexpected joy. Four levels of subterranean parking are directly under the building, allowing quick and easy access to the casino via escalator or lobby via elevator. Compared the epic hikes that are required at some Las Vegas hotels, this is like a delightful reward. Your feet will appreciate it, for sure.

The main lobby is a typically grand affair, all cool marble with a soaring rotunda highlighted by a huge frosted glass statue and fountain. Giant urns and vases are tucked into coved walls here and around the property (there isn't a "theme," really, but if you are desperate for one it involves an urn or a vase). There are some snapshot worthy vantage points but again the overall affect is quiet and tasteful.

The casino follows this blueprint, with the decor of octagonal space fading into the background. I spent a pretty decent amount of time in there gambling and I can't tell you a single distinguishing feature of the room. I'm not sure if that's a good thing or a bad thing, but it is definitely worth noting.

Table games cover all of the usual suspects and fall into the higher end of the betting limit stratosphere. On a relatively slow Thursday night I didn't see a blackjack table for less than $15 per hand although they did have a $10 3-card poker table so I was happy. Those tables are grouped along one axis of the octagon with a wide walkway from the lobby to the guest elevators crossing the other direction. Yes, you have to cross the casino to get to your room but it's a straight shot and the pathway is unobstructed for the most part.

There are slots of all denominations, from pennies to $100 a pull beauties, however it's worth noting that there are very few traditional one payline mechanical slots here. All of the penny and nickel machines are the multi-line video style and the bulk of the quarter and dollar machines are also multi-line monsters. I'm hoping this is not the wave of the future because I'm a "max bet" kind of guy but when a max bet on a dollar machine involves 9 lines and 3 (or more) coins per line it gets pretty expensive pretty fast. I actually had a hard time finding machines that I wanted to play and the even worse news is that when I did, I didn't win a dime on any of them. It's all about the luck of the draw and you may have much better luck than I did, but on my visit I may as well have been throwing my money on the floor - it would've gained me the same return and might have actually been more entertaining.

The sports book is quite different from a tradition standpoint. It's located away from the main casino, on the lower level under the main lobby. A big betting board occupies a lobby area but unlike traditional sports books there are no seats here to watch the action. Instead you go inside the adjacent 40/40 Club, a sports-bar/nightclub concept from rapper/music mogul Jay-Z. It's a giant space with tons of flat screen televisions, comfy couches, and a diverse menu of food to keep you satisfied while you watch the game. On Friday and Saturday nights it becomes a hip-hop nightclub.

Restaurants and lounges are scattered around the periphery of the casino, mostly higher end places but with a few moderate entries like the always dependable Grand Lux Cafe. Entries from big name chefs including Emeril Lagasse, Mario Batali, and Wolfgang Puck fill many of the remaining restaurant slots.

A waterfall in the center of another three-story rotunda is the centerpiece to the new Shoppes at The Palazzo, an extension of the Venetian's Grand Canal Shoppes although without the grand canal. Much like the rest of the hotel, the two are connected but the mood changes dramatically when you cross from the Venetian territory to the Palazzo territory. Think Rodeo Drive instead of Venice and you'll be in the right neighborhood.

The stores are all high-end retailers including a very exclusive Barney's New York, Burberry, Christian Louboutin, Diane von Furstenberg, Jimmy Choo, and Van Cleef & Arpels to name just a select few. If you need proof that this is not your neighborhood mall, one store is called Billionaire Italian Couture. Hint: they don't sell Levi's.

A large pool deck with multiple places to swim and lounge is connected via walkway to the pool deck at The Venetian - guests at the two hotels may use either area. There is also a giant extension to the already giant Canyon Ranch Spa, offering every treatment and workout and spa service known to man a few that were never imagined before this.

A showroom featuring the Broadway hit "Jersey Boys" is expected to open in April of 2008.

The rooms are all located in one tower and have the same footprint as The Venetian rooms. A massive bathroom is just inside the front door with a tub, separate shower, dual sinks, a water closet, a make-up table, robes, hair dryer, high-end bath amenities, a small flat-panel television and more. Beyond that is he sleeping area with one or two beds, a big flat-panel television, and a closet. Go past that and down two steps into the sunken living room with a very comfortable sectional sofa, a writing desk with its own printer/fax machine, high-speed Internet access (wired or Wi-Fi for a fee), another flat-panel television, a DVD player, and a mini-bar.

The furnishings are all sleekly modern, done in muted charcoals, browns, and beiges. It's a lovely and comfortable room with very fine linens and plenty of room for lounging. However, there are a few ergonomic missteps. For instance in the bathroom, one of the sinks had the cold and hot water spigots reversed, resulting in a bit of a scald for me; the television is not visible from the tub or the toilet, the two places where you might actually want to watch TV while in that particular room; there are about thirty seven light switches throughout the suite (an exaggeration but not by much) and oddly they all seem to do the same thing but never twice in a row; and with the multiple televisions, DVD player, and electronic drapes there are more remote controls than I have in my house and I have a lot of remote controls.

And this is really being picky but for a brand new hotel there were some already disturbing signs of wear and tear in my room. The surface of the small dining table in the living room was so scuffed it made it appear as if it had been dragged across a parking lot; one of the velour covered benches at the ends of the beds had a very visible hand print etched into the fabric; and there were a whole assortment of small gouges, nicks, black marks, and even a stain or two on walls, carpet, baseboards, and upholstery. Granted, most people who aren't there to review the hotel probably wouldn't notice and granted (again) it's nothing that can't be expected in a giant hotel like this that has a high occupancy rate, but for a room that costs as much as this one does, I have a hard time excusing the little things that I may overlook in a room that goes for half as much.

So while we're on the topic let's talk about prices. The lowest you can reasonably expect to pay here for a standard room as described above is $199 during the week and in the neighborhood of about $259 on the weekends. If you can get it at those kind of rates, you would have a hard time doing better for the money. But those prices are not going to be common -- fees of well over $300 a night are more likely on the weekends and over $400 a night not unheard of. I don't understand why anybody would want to pay those kinds of fees but if you are, there are other hotels that I think offer a little more bang for the buck and would never tolerate allowing a table in a room that looked as if it had been dragged across a parking lot.

Service was of the highest caliber throughout my stay, from the front desk agents to the casino attendants to the security staff and more. I have had less than stellar experiences during stays at The Venetian so I was thrilled to see this level of professionalism from The Palazzo team.

I like The Palazzo. It has an almost effortless luxury that somehow manages to be comfortable; stuffy and intimidating are not on the menu here and that's a big change for most hotels of this caliber and price range. But I'm not in love with The Palazzo simply because effortless luxury is not really why I go to Vegas. I want excitement, fun things to look at, entertainment, and most of all the reckless sense of anything-is-possible that this city seems to offer up at every turn. The Palazzo is lovely but it isn't exciting.

Highs: Luxurious surroundings; excellent service
Lows: Prices, excitement level
Location: 9 – only a few steps to the heart of the Center Strip
Price: 3 – Can be very expensive
Value: 9 – The money you pay gets you a lot
Rooms: 9 – Gigantic suites with all the comforts you need
Casino: 5 – A bit bland; machines are expensive
Amenities: 10 – Rooms have everything you need
Facilities: 10 – Complete and extensive
Service: 10 – Fantastic, personal, efficient
Fun: 5 – More luxurious than fun.
Bonus: 8 – Does what it is trying to do
Vegas4Visitors Rating: 78

The Palazzo
3325 Las Vegas Blvd. S.
Las Vegas, NV 89109
866-263-3001
website

  • 3,068 rooms
  • $199 and up double
  • avg. $300 per night

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  • Review of the Week

     
    Show Review: Bette Midler: The Showgirl Must Go On

    I’ve been saying for years that a Bette Midler show in Las Vegas would be a match made in heaven. Look at the singer and the city have in common: both are outrageous, extravagant, bawdy, over-the-top, and packed with so much entertainment that it’s nearly impossible to comprehend it all.

    So it should come as no surprise that Midler’s new production, “The Showgirl Must Go On” playing at Caesars Palace through at least 2009, is not only one of the best Bette shows ever but one of the best bets in Las Vegas.

    It certainly is one of the biggest. There’s a 13-piece band with a full horn section, 20 dancers, massive sets, a giant LED screen with eye-popping visuals, half a dozen costume changes, and enough feathers, sequins, and rhinestones to fill a warehouse.

    But the biggest part of the show is Midler herself. She makes a lot of jokes about how big the stage is, hoping she won’t have a stroke as she crosses from one side to the other and enters into a new zip code in the process, but she needn’t worry. She fills the space with her outsize talent in ways that eclipse any amount of production value they could throw up there.

    Midler takes the stage atop a giant pile of luggage, in the midst of a virtual tornado tearing through Las Vegas that blows road construction workers and Elvis impersonators around with silly glee. She tears through the production’s new title song, a jazzy, big-band style number and then continues the mood with, appropriately enough, a raucous version of “In the Mood.” Both numbers showcase her back-up singers, “The Staggering Harlettes” who she says came from a prison work-release program, and her back-up dancers, “The Caesars Salad Girls.” The best thing about the latter, as Midler says, is that “not one of them is a French Canadian circus performer.”

    The humor and the hits keep on coming. In between Bette classics like “The Rose,” “Boogie Woogie Bugle Boy,” and “Do You Wanna Dance?” are more of her bawdy jokes, most of which are laugh-out-loud funny but not appropriate to be reprinted here. Let’s just say there are no sacred cows, with everything from Las Vegas to Paris Hilton to herself being skewered in equal measure.

    Her classic characters are also along for the ride. The fame-hungry mermaid Delores DeLago is back, lured to Las Vegas to perform her fishy routine in a tacky roadside motel. But after a visit from her fairy godfather Elvis, she triumphs at Caesars Palace in a chorus line of fish tails. And of course “Soph” – her take on vaudeville legend “Sophie Tucker” – is present and accounted for, in this incarnation as the oldest living showgirl. Soph’s “I’ll never forget it you know…” jokes are a thing of beauty and just as dirty as ever. But as Midler says, she has a daughter in college so it isn’t her, “it’s the tuition talking.”


    Photo by Ethan Miller/Getty Images for AEG Live/Concerts West


    Photo by Ethan Miller/Getty Images for AEG Live/Concerts West


    One of the best moments of my life, as evidenced by the big stupid grin.

    But for all the pageantry and playfulness, it is the simple moments of the show that really shine, when it is just Bette Midler, a microphone, and that emotion packed voice. The peace lament “From a Distance” has never felt more applicable than it does in 2008 and as she skips barefoot through a simple forest-like setting you can practically feel her joy. “Hello in There” is an aching testimonial to what it’s like to get older, and her heartbreak almost soaks through the stark black and white photos of New York City that surround her. And the standing ovation at the end of the emotionally power-packed “When a Man Loves a Woman” was more than deserved, it was earned.

    “The Showgirl Must Go On” is a perfect fit for this city. It’s a throwback to the classic Vegas entertainment of yore, when performers like The Rat Pack and Elvis not only knew how to put on a “show” but knew that in this particular business you can’t take things too seriously.

    Las Vegas has gotten a bit too serious lately. Thank God for somebody like Bette Midler to put it back in its place.

    Vegas4Visitors Grade: A

    Bette Midler: The Showgirl Must Go On
    Caesars Palace
    3570 Las Vegas Blvd. S.
    Las Vegas, NV 89109
    877-723-8836
    website
    Tickets:

  • $95-$250
    Show Times:
  • Tue, Wed, Sat-Sun 7:30pm
  • Check schedule for dates

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